During its heyday, the Malik-Verlag—a left-wing publishing house in Berlin—was a powerful influence on the development of satire in writing and graphic design in layout.
In this special edition of De Groene Amsterdammer, anti-Nazi artist LJ Jordaan looks back at the occupation in thirty lithographic cartoons.
It has been a rocky road for civil liberty this year. So, are you ready for some good old-fashioned Punk anti-fascist good-tidings? Or at least a reissue of a Punk icon?
"All good art is political" is the theme of Galerie St. Etienne's exhibition of the same name featuring Käthe Kollwitz (1867–1945) and Sue Coe (b. 1951).
If you know the name Mihály Biro at all, you'll be familiar with his most internationally known image: the "Red Man" cover for the newspaper Népszava
Clashes over academic freedom and political correctness in the educational sphere have triggered debates—including this recent one over a poster project.
The caricaturist Roger Law, who created the works below, has shifted gears—or, rather, split his image—in the years since the end of "Spitting Image."
AMPL!FY is a public art and design initiative that partners an artist or designer with a nonprofit organization to create thought-provoking posters.
The artist behind the award-winning Time "Trump Meltdown" cover believes images can galvanize people and spark important conversations.
Author Piotr Rypson discusses the subject of his new book "Red Fighter": poster designer Mieczysław Berman.