Rob Rogers has created editorial cartoons for the Pittsburgh Post-Gazette for quite some time. But that may be changing due political differences within…
The weeks following the 2016 Presidential election saw an unprecedented rise in hate speech, hate crimes, vandalism and violence against minorities and people of color. Vicki Meloney, an Associate Professor at Kutztown University, took notice and decided to make a change, thus Replace-the-Hate was born.
The American Edwin Hooper Denby (1873/74–1957) was an architect and member of the architectural firm, Denby and Nute, where he designed typefaces as well as structures. The pages HERE represent his "symposium" on the importance of his all cap typeface for monumental statements.
When the marketing of the counter-culture was hot, a "subterranean" magazine in paperback form was published by none less than Signet Books (NAL), then under the ownership of the LA Times. The book reflected the turbulent 1960s and featured articles on The Black Panthers, the Vietnam War, and more.
Former Secretary of State Madeleine Albright has sounded a cautious alarm in a New York Times Op Ed essay and prelude to her current book, Fascism: A Warning. Here's how some designers, graphic artists and filmmakers have mobilized their talents to remind their communities of the dangers of symbols of hatred.
When Steven Heller was 16 years old, he did everything imaginable to get his drawings printed in Evergreen Review, which already published Robert Grossman, Brad Holland, Tomi Ungerer, Edward Sorel and others. By the time he was 19, he was briefly its art director.
A different kind of MAGA hat. This one is stands for Make Armenia Great Again by removing its autocratic leader.
In 1979 Tom Wolfe, who passed away last Monday at age 88, wrote the introduction for an exhibition catalog Steven Heller produced about the German satiric magazine Simplicissimus (der Simpl).
The second edition of Citizen Designer: Perspectives on Design Responsibility, edited by Veronique Vienne and Steven Heller, seems more appropriate than ever.
This is the year to look back at 1968 when the counter culture made its mark and almost the same year lost its impact. Heller has decided to revisit this past that defined his own life and career. Here, you'll find an excerpt from a recent talk he gave a The Type Director's Club...