Debbie Millman’s visual essays have long offered a powerful look at the life of an artist and the art of a life. Whether they appeared in the pages of PRINT magazine, on the PRINT site, at the Chicago Design Museum or in various collections—including the books Self-Portrait as Your Traitor and Look Both Ways: Illustrated Essays at the Intersection of Life and Design—Millman has, as Paula Scher has written, “invented a 21st-century illuminated manuscript.”
Here, as we bring different installments to the new PRINT site in high-res, we present “Penelope.”
