A Peek Inside the 2014 RDA
Print’s Regional Design Annual—the most popular issue of the year, the issue that brings you a comprehensive survey of graphic design in the U.S and features 350 winning designs chosen by esteemed judges—is finally here. The truth is, we should stop here, bring this blog post to a screeching halt in the second sentence—because we all know that to really experience the RDA, you need the real thing in your hands.
But we’re not going to do that because as it turns out, we do have a little something we can share with you exclusively online, so long as you do yourself a favor and get the actual RDA as soon as possible.
Once you do, you’ll likely wonder, Who illustrated this amazing cover?
Regional Design Annual Cover Artist
That would be Sean Adams, a partner at AdamsMorioka in Beverly Hills who’s been recognized by every major competition and publication and exhibited often including a solo exhibition at The San Francisco Museum of Modern Art. Furthermore, Adams has been cited as one of the forty most important people shaping design internationally in the ID40.
Final RDA cover by Sean Adams
Needless to say, his involvement with the RDA took it to an entirely new level of greatness.
“When designing for other designers, we either do our best work, or strike out,” Adams says. “It forces me to work that much harder, and push beyond the comfortable. Designing a cover for a magazine, especially Print, is a great assignment. It’s a tiny poster that needs to impart information, content, and hit someone over the head from across the room.”
An alternate version of the cover
Also, I’m not an illustrator. I took drawing and anatomy at school, but that was a long time ago. Drawing a hand in the right position on a hip is not as easy as it sounds. The Art Center Library has a great collection of books and cds for figure drawing. Each one has multiple poses by nude men and women. This was incredibly helpful, but proved awkward at a presentation when my desktop was filled with the little thumbnails of nudes.”
Behind the Scenes: Here, Adams has noted the cities from which each designers hails, along with each designer’s name.
“My first impulse was to base each character on a specific designer,” Adams says. “But, since we almost all wear the same identical black outfits, this proved tricky. The solution came together when I stepped back and let each character have his or her own personality. In my head, each one has a name and backstory. Determining which items defined these was a wonderful challenge.”
More alternate versions of the covers
We hope you enjoy Print’s RDA issue. We hope you’re not only inspired by the award-winning designs, but also that you walk away with a glimpse into the magic happening in each region of the United States at this very moment.
“Print is one of the most influential publications in our industry; having the opportunity to even be considered for inclusion in the RDA is a no-brainer.” —2e Creative
“We are proud to be able to talk about our Print RDA award on our website and in social media. We hope that it will boost our studio’s recognition within the design community. We also think potential clients view award-winning design studios as a valuable partner that can potentially produce award-winning work for them too.” —Jen Thomas, The Beauty Shop