Talent doesn’t necessarily restrict itself to a single area. Here, Brower shows us five actors who began their careers in the field of design.
The golden age of editorial illustration and cartooning is currently on display in the exhibit “American Illustration & Comic Art” at the Sardoni Gallery, Wilkes University in Wilkes Barre, PA.
Chris Ware’s Building Stories blew apart entrenched meanings of “book” and “graphic novel.” So how does he top that? Well, now there’s Monograph. Let's have a look inside.
If it’s a nearly 300-page graphic novel about the history of crossword puzzles, and it’s titled Fun, then it better be pretty damn entertaining. And yes, Italian artist Paolo Bacilieri delivers the fun, both narratively and visually.
If there was a designer “best of the best ofs” list for comics, My Favorite Thing is Monsters would easily be 2017's winner. As it is, Emil Ferris' breakthrough, groundbreaking graphic novel seems to have appeared on practically every comics-centric books-of-the-year list.
Obsessed with dots? You're in luck. From 1950s-era Harvey Comics' Little Dot to shows by avant-garde art’s latest superstar, Yayoi Kusama, the concept of dots in endless, relentless repetition is alive and prospering.
Fletch Hanks was described as "the most bonkers comic book creator ever." He created with a distinctive voice unlike any other, for better or worse.
The use of comic strips in U&lc ended with the passing of Herb Lubalin in 1981. Check out some of these gems sandwiched between the pages.
The Green Hand and Other Stories by Nicole Claveloux is 2017’s best book in celebration of a European comics artist. Why? Glad you asked...
Sin City enthusiasts can indulge in the next best thing to owning the original art with Sin City: The Hard Goodbye Curator’s Collection.