Join Louise Fili, Steven Heller and Lita Talarico for the SVA Masters Workshop Design Rome, a typography and design workshop. This is its tenth year in the Eternal City where type new and old, classic and modern reign supreme.
Heller talks with Bill Moran, who with his brother Jim—the director of the Hamilton Wood Type & Printing Museum—is a major force behind this amazing repository of past and present type, typography and printing.
Heller talks with Scott Boms, design lead and and studio manager of the Analog Research Lab at Facebook in Menlo Park, who is the caretaker of some Marshall McLuhan artifacts and the next generation of McLuhan thinking.
During the period of the film industry's Production Code (The Hays Office), Hollywood imposed its own rules governing the depiction and non-depiction of sex in the movies. So clever filmmakers resorted to metaphor, symbolism and innuendo to get the idea of intimacy—sex—across.
MoMA New York has acquired eight of The New York Times Op-Ed pages designed and art directed by Mirko Ilic for their collection created from 1992 to 1993.
That so many people like to wear the jerseys and hats of their favorite teams has little to do with aesthetics, and as Todd Random points out in his book, Winning Ugly: A Visual History of the Most Bizarre Baseball Uniforms Ever Worn (Skyhorse Press), sports uniforms were always a bit odd.
Boxed matches did not set Iran ablaze when in January 1978 the revolution lit the way for the end of the Pahlavi (Shah of Iran) dynasty, but the artifacts collected in a book of matchbox labels provides a curious history of what led up to the turnover of government and way of life for...
Heller shares an excerpt from his foreword to the new book W.A. Dwiggins: A Life in Design by Bruce Kennett, which provides a history of the polymath who gave breadth to graphic design.
Siglio Press gets Heller's vote for publishing the best books combining avant garde art with graphic design and typography. Two thumbs up for Mirtha Dermisache's Selected Writings.
Having always gravitated toward literature and books, it was very tempting for Poul Lange to use this source for collage material, despite how the stigma of book burnings and the banning of literature runs deep in our consciousness.