Paul Shaw shines a fresh spotlight on a dozen overlooked and underappreciated typefaces that, for years—and for various reasons—have been kept in the dark.
Designer, letterpress printmaker and former PRINT New Visual Artist Dafi Kühne discusses letterpress posters, printmaking and his process.
Paul Shaw declares an end to the needless and wasteful war on "type crimes."
How did Helvetica become the typographic celebrity that it is today… and why didn’t Univers land the role instead? In this piece from Print's Spring 2016 Issue, Paul Shaw takes us on a guided tour through type history.
Paul Shaw shares the tale of the 2015 Legacy of Letters printing workshop with Alan Kitching at the Tipoteca Italiana Fondazione.
Paul Shaw breaks down the crucial differences between handlettering and typography.
Paul Shaw charts the bold (and at times, bizarre) evolution and history of typography within Print.
Paul Shaw, noted letter designer and design historian, reviews the latest addition to his bookshelf: The Field Guide to Typography.
As AIGA celebrates its 100th year serving the design community, it unveils an exhibit that pay's tribute to the role of type in design over the past century.
Jovica Veljovic, a calligrapher turned type designer, debuts a new face — Agmena. It's a serifed face with Aldine characteristics and proportions.