In 1962, German-born Peter Max started the “Daly & Max Studio” with friend Tom Daly in Manhattan. Daly and Max designed and illustrated for book publishers and advertising agencies. Their work incorporated antique photographic and graphic images for signature collages. Max’s interest in astronomy contributed to his self-described “Cosmic ’60s” period, which featured what became misconstrued as psychedelic, counterculture imagery. Max referred to this work as a panopticon, constructing his images from photographs, magazine illustrations, old engravings and decorative papers, pasting together a segment of composition and then mechanically reproduced, mirror fashion numerous times in circular form.
In 1963 he joined forces with German-born Otto Bettmann, who founded the legendary Bettmann Archive, the most extensive clip art and vintage print and photo agency of its time. Bettmann provided the design and illustration community with many of the artifacts that were used to counter-balance the simplified purity of the Mid-Century Modern school of design.
The exhibition that Daly and Max organized, Panopticon, was an invitational to artist and designers to use Bettmann materials in their work. Below is a sampling of the outcome by some designers you may know, and others you probably will not.
PRINT’s Summer 2015 Issue: Out Now!
The New Visual Artists are here! In this issue, meet our 2015 class of 15 brilliant creatives under 30. These carefully selected designers are on the scene making the most cutting-edge work today—and as many of our previous NVAs, they may go on to become tomorrow’s design leaders. Why not get to know them now? Check the full issue out here.