The magazine we all call Print has had a half dozen different names since its inception in June of 1940. It was originally a limited-edition periodical that discussed the endless techniques used in the graphic arts industry, and even included original prints and tipped-in features within. From its first edition up to Volume VII, Number 6, in March 1953, it was a 7 1/4-by-10-inch journal-sized publication. This article will be the first of several covering the initial 13 years of the magazine’s existence. This week’s will begin with the covers, and subsequent pieces will follow with reviews of each issue’s contents, as well example of the slipcase binders that the publication offered to its subscribers.
William Edwin Rudge was the publication’s original publisher and managing editor. He was the third generation of a family of printers (all named William Edwin Rudge), and he worked out of his publishing business office in New Haven, Connecticut. From the first issue in 1940 through Volume VI, Number 4, the publication was called Print: A Quarterly Journal Of The Graphic Arts. Beginning with the following edition, Volume VII, Number 1, it changed its name to Print after combining its previous title with another magazine called The Print Collector’s Quarterly. Rudge continued as the publisher and managing editor, but the publishing office had moved to Burlington, Vermont, with the editorial offices in Hartsdale, New York. By the spring of 1953, Rudge was the president/editor, and the publishing and editorial offices had moved to 17 West 44th Street in Manhattan.
Stay tuned to Imprint for my upcoming articles profiling in detail the early phase of this classic graphic arts resource!