A recent Wonder Woman cover by Neal Adams has drawn criticism for its steamy and perhaps less-than-empowering depiction of the protagonist. Michael Dooley and Arlen Schumer weigh in.
Illustrators told a very controlled and idealistic story of Americana for Americans who believed in white-bread mythology.
Michael Dooley looks at illustrations and editorial design in Duke Magazine, the first "Playboy" for black Americans.
Most freelance artists have bread-and-butter side jobs, but how many perform them on camera? Meet artist and illustrator Kevin Christy.
In light of the recently-released Deadpool movie, Michael Dooley showcases work from some of the best Deadpool comics arists.
In his series on graphic novels that bend the rules, Michael Dooley shows us the work of an artist whose work bends gender lines and comic norms.
Safety razor patents were filed as early as 1880. They offered a close shave and a packaging boon for printers worldwide to create razor blade wrappers.
Famed photographer Allan Amato created Temple of Art, in which his subjects took his portraits of them to another level by incorporating their own mixed-media visions of themselves as well.
Here Comes Kitty is the work of multidisciplinary artist Richard Kraft, a Jess for our age. Kraft has craftily transformed a 1960s Polish espionage comic into a mad, post-mod melange of Western religion and Eastern mysticism, Nazi spies and domesticated animals, the disturbingly chaotic and the playfully erotic.
Michael Dooley presents the first of a series of graphic novel suggestions that either defy or disregard categorization as comics.