It’s been too many years since I’ve seen new work by Guy Billout. He was a foundational part of late ’70s–’90s conceptual illustration—his precise rendering and subtle humor, his use of strict geometry, flat gradients, and a clear line style created a universe where disaster doesn’t strike with a bang, but with a perfectly rendered, ironic silence. He did not disappear, but the lack of viable outlets for illustration, along with the increasing number of new illustrators entering the fray, took a toll.
So, I am pleased to see that Billout will be showing work in a solo exhibition, Quiet Catastrophes, at the Philippe Labaune Gallery.
“The survey offers a rare opportunity to experience Billout’s fineness, wit and distinctive approach firsthand,” writes Labaune.
The opening reception will take place from 6–8 p.m. May 20.
