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Film and Motion Design

The Historic ALEX Theatre Restores Its Cinematic Roots for ‘The Odyssey’

Posted inDesign News

Deepfakes, Fast Food, and the Future of Taste

Posted inAI

Turntable Arrives in Illustrator, Making Motion a Little More Accessible

Posted inMotion Design

Making the Cut: The PRINT Awards Jury for Motion, Video & Title Sequence Design

Posted inThe PRINT Awards

Designing Honesty: Bodyform and the Power of Informational Creativity

Posted inAdvertising

Your Logo Works Hard. How About Your Motion?

Posted inIndustry Perspectives

The ‘Smoke’ Opening Titles Un-burn Objects to Reflect the Mind of an Arsonist

Posted inFilm and Motion Design

A Snapshot of Typography From the Wes Anderson Cinematic Universe

Posted inTypography

The Best of the 2025 PRINT Awards, From Tactile, IRL Encounters to Lush, Digital Worlds

Posted inThe PRINT Awards

Diving Deep into ‘The White Lotus’ Season Three Opening Titles with the Creators

Posted inFilm and Motion Design

Lee Shulman Reveals the Extraordinary in the Ordinary in ‘I Am Martin Parr’

Posted inFilm and Motion Design

OFFF Celebrates 25 Years with an Ambitious Lineup & Large-Scale Digital Installation

Posted inDesign Events & Conferences

‘Emilia Pérez’ is a Master Class in Cultural Cluelessness

Posted inFilm and Motion Design

Meet the 2025 PRINT Awards Jury for Title Sequence Design

Posted inThe PRINT Awards

Going BTS With Digital Kitchen on the ‘Yellowjackets’ Opening Titles

Posted inFilm and Motion Design

The Collected Works Cultivates a Bold Design for the 2025 PRINT Awards

Posted inThe PRINT Awards

The Daily Heller: The Titles of the Jackal Have Their Day

Posted inThe Daily Heller
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