Type Tuesday – PRINT Magazine

What’s the Big Deal About the U.S. State Department Font Change?

Monotype Redefines Aerodynamic Typography with Their Font Aeroko

Community Gothic Highlights the Power of a Simple Typeface

Type Tuesday Presents the Class of 2022: The Most Interesting Fonts of the Year

Monotype’s Charles Nix on How Typography is the Underdog of the 2022 World Cup

Type Tuesday

Gamby Has All the Retrofuturist Charm of a Midcentury Commercial

Make Waves With Mitch Proctor’s Sunny, Free Typeface HC Gleam

A Tech Branding Expert Takes Us Behind the Scenes of Creating a Bespoke Typeface

Muller Next Makes a Case for the Impact of Neutral Type

Hailea Urban Display Takes Script Fonts Into the Next Generation

The Working Assembly Launches Work Type, An Independent Type Foundry

What’s “Evil Serif”? Blacker Mono Visually Defines It

Quirky, Expressive Buona Display Takes Influence From Classic Italian Type

Make Fonts, Not War with the ’70s-Inspired Freitag Typeface

This “Weird Serif” Dissects Classic Didone Style Type

Touvlo Offers Designers a Simultaneously Modern and Timeless Aesthetic

Ragged Edge’s Max Ottignon on Why Breaking the Rules Isn’t Enough on Its Own

Fit is a Punchy Typeface That’s Electrifying in Both Devanagari and Latin Script

Add a Charming Edge to Your Design with the Robust ZEZE Typeface

Type Tuesday: Shrimp Provides a Fun, Versatile Take on Bold Sans Serif

Type Tuesday: Stephen Minasvand Tackles Type in the Healthcare Industry

Type Tuesday: Crate Diggers Will Love Erol, a Turkish Pop-Inspired Typeface

Type Tuesday: The Eros Typeface Will Add Extra Romance to Your Design