What do you do if your favorite things change โtoo muchโ?
Our favorites become favorites because we like them the way they are. But capitalism and our modern tendencies to quickly become bored with things and to become fascinated by โThe Newโ put brands under a lot of pressure.
The tension between โleave it the way it isโ (aka, โif it ainโt brokeโฆ) and โwe gotta do something freshโ (aka, โcreativityโ) often yields results that we find less appealing than the originals, like those blue and orange cookies up there at the top. Suddenly, my favorite cookie isnโt appealing anymore.
And, because brands are more about their current meaning than they are about the objects themselves, weโve recently seen a few examples of this tension in the marketplace. Here are two:

The meaning of both of those objects has changed dramatically over the last year or so. As a result, many people whoโd previously chosen them as favorite things became less comfortable being associated with them. That feelingโฆthat discomfortโฆarises from the close connections we establish between our identities and the objects we select to project those identities. Of course, weโre often unaware of just how closely weโve formed those connections, but, like so many things, we probably donโt recognize just how close those connections are until โthings change.โ
Then, the can of beer that we casually ordered to express our โmade in America for real Americans by a true American breweryโ values no longer says that, at least in the public conversation that followed a marketing campaign that became way too controversial. Overnight, my favorite became the Target (pun intended) of a boycott.
Or, take that futuristic electric โtruckโ we purchased to show our technological hipness and affiliation with a brand headed-up by a modern-day Thomas Edison/Tony Stark. That favorite vehicle became an expression of a tacit approval of the new Edison/Starkโs behavior as an out-of-control, unelected governmental chaos generator. Again, overnight, that vehicle became the Target (sorry) of derision and even vandalism.
These two situations (OK, four if you count the fictitious Oreos and me sneaking in the Target thing) are examples of the fluidityโsometimes even volatilityโof the meaning of branded objects. One day, youโre just having a beer, driving your truck, or shopping; the next, youโre a combatant in a culture war.
What we see at work here is the role of cultural context in the establishment of meaning. Neon blue cookies with electric orange icing might be fine in some futuristic niche cultures, but not in my here and now. To me, theyโd just be too damned weirdโฆand my brain probably wouldnโt โlet meโ taste them as simply Oreos.
Cultural context means itโs (still) impossible (even two years later!) to simply order a Bud Light without a tinge of the psychological effects of the surrounding brand controversy.
As for the Cybertruck, weโre probably just beginning to see the persistent impact of the changes that object is undergoing. I bet itโs going to be a lot harder to drive a Tesla-branded vehicle without experiencing the dramatic impact that meaning has on objects in our modern culture.
Tom Guarriello is a psychologist, consultant, and founding faculty member of the Masters in Branding program at New Yorkโs School of Visual Arts. Heโs spent over a decade teaching psychology-based courses like The Meaning of Branded Objects, as well as leading Honors and Thesis projects. Heโs spearheaded two podcasts, BrandBox and RoboPsych, the accompanying podcast for his eponymous website on the psychology of human-robot interaction. This essay was originally posted on Guarrielloโs Substack, My Favorite Things.
Header image created by author using Chat GPT.