This is a love affair with art between two artists that has lasted 70 years.
This project is close to George's heart, and it will be a feast for your mind's eye. Prepare to enjoy the true story of a beloved dynamic artist by a beloved dynamic artist—with a "'soul' bringing to life the inanimate," writes George.
The subjects of Rosemary's portraits do not pose for her. She paints them from memory, because she "knows" them so intimately, prompting the painter Raphael Soyer to say that her portraits "tell too much."
After her first show in 1967, the critic John Canaday wrote in The New York Times, "Her paintings leave you wondering why [Fernand] Léger bothered to simplify machines as he did. … Léger's simplification even begins to seem more like emasculation."
The renowned photographer Irving Penn wrote, "Her images are magical … each painting goes far beyond what the camera can do."