August 2010

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By: Print staff | July 21, 2010


Vol. 64, Number 4

Cover by James Victore

Photograph by Tom Schierlitz

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Special Back Issue: Voices from the Watergate summerBy Martin Fox

Letter from the Editor: Design at a dizzying crossroadsBy Aaron Kenedi

The small pleasures (and pains) in the life of a New Yorker By Caitlin Dover

Ripoff artists and typographic invention By James Gaddy

Street art and school portraitsBy Aaron Kenedi

A portfolio tic becomes cloyingBy Steven Heller

A visual essaydeconstructing designBy Michael Ian Kaye/Mother Design

Credit where credit is dueBy Mike Perry

Modernism and its discontentsBy Art Chantry

The Holocaust shouldn’t be Israel’s identity By Sagi Haviv

A graphic primer on etiquette today By Barbara Glauber

Denim fashion design and the premium-jeans bluesBy Paul Choi

Brand-bandying banterBy Felix Sockwell

Designers are their own worst enemyBy Joe Duffy

A mutable truth via ChatrouletteBy Oded Ezer

What if highbrow became mass-market? By Rodrigo Corral


Up FrontPenguin at 75, a rock-poster convention, and more

Shelf LifeFuseproject’s Puma shoes packaging, more Great Ideas fromPenguin, and the story behind The National’s latest album cover.

MonologueWhat does it take to be a leader in graphic design?By Debbie Millman

DialogueJason Santa Maria on good typography for the webInterview by Steven Heller

ObserverThe strong bonds between graphic design and surrealism [Read more]By Rick Poynor

Best PracticesNonprofits and the green shift [Read more]By Jeremy Lehrer

InteractionAre designers ready to start making apps? [Read more]By Khoi Vinh

EphemeraThe untold visual history of baseball cardsBy Drew Dernavich

DesktopAdobe Ideas, Sketchbook Pro, and using Browserseal to test cross-browser compatibilityBy Patric King and Su

Hot TypeVeljovic ScriptBy Paul Shaw

BooksBarbara Kruger and TheStory of Graphic Design Reviews by Sarah Zimmerman and Laurel Dammann

End ProductBehind the scenes at Busy Beaver Button Co. By J.C. Gabel

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