Make it Bigger. No, Bigger | Paula Scher

Posted inPrint is Dead (Long Live Print!)

Paula Scher isnโ€™t really a โ€œmagazine person.โ€

But if you ever needed evidence of the value of what we like to call โ€œmagazine thinking,โ€ look no further than Pentagram, the worldโ€™s most influential design firm. The studio boasts a roster of partners whose work is rooted in magazine design: Colin Forbes, David Hillman, Kit Hinrichs, Luke Hayman, DJ Stout, Abbott Miller, Matt Willey, and, yes, todayโ€™s guest.

Paula has been a Pentagram partner since 1991. Sheโ€™s an Art Directorโ€™s Club Hall of Famerโ€”and AIGA Medalist. She has shaped the visual landscape for iconic brandsโ€”Coca-Cola, Citibank, Tiffany, and Shake Shackโ€”always with her instinctive understanding of how typography, design, and storytelling come together.

In other words, she plays the same game we do.

In 1993, Paula collaborated with Janet Froelich on a redesign of The New York Times Magazine and built a platform for pioneering editorial innovation that continues to this day. In 1995, she helped me decode Fast Companyโ€™s editorial mission, in her own distinctively reductive way: โ€œItโ€™s about the ideas, not the people,โ€ she said. It was a game-changer.

But Paula isnโ€™t just a design legendโ€”sheโ€™s also a complete badass.

Starting out at a time when the industry was still predominantly male, Paula carved out space for herself by fighting for it. Her work at CBS and Atlantic Records redefined album cover design. Later, her rebranding for cultural institutions like The Public Theater and the Museum of Modern Art helped cement the importance of an unforgettable identity system for any organization.

And, as a longtime educator at New Yorkโ€™s School of Visual Arts, Paula has molded generations of designers who have gone on to shape the industry in their own waysโ€”including our very own Debra Bishop.

We spoke to Paula upon the launch of her new, 500-plus page monograph, Paula Scher: Works.


Print Is Dead (Long Live Print!) is a podcast about magazines and the people who made (and make) them. Magazines that combined thought-provoking attitudes and values with a distinctive look and feel, and cast a long and powerful shadow on American culture and public discourse. Hear stories and learn lessons from legendary designers, editors, writers, publishers, photographers, illustrators, photo editors, and moreโ€”stories and lessons that capture a magical history of innovation and inspiration, and that point the way forward. Weโ€™ll go deep into the lives and careers of this astonishingly talented group of creators, and tease out what these giantsโ€”past and presentโ€”have to teach the next generation of creators.

If youโ€™re in the magazine businessโ€”if youโ€™re in any business focused on content creationโ€”this podcast is for you.

This episode is made possible by PIDLLP sponsors Commercial Type and Freeport Press.

The team behind Print is Dead (Long Live Print!) also produces The Full Bleed, a podcast about the future of magazines and the magazines of the future.