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Why Do All Holiday Movie Posters Look the Same?

The Daily Heller: Paris When It’s Deco

The Daily Heller: Preserving and Restoring Textile Branding

Meanwhile: Tom Waits for No One

Don’t You Dare “Skip Intro”— Our Top 10 Television Opening Title Sequences of 2022

What Matters to Ivy Ross

Monotype’s Charles Nix on How Typography is the Underdog of the 2022 World Cup

The Daily Heller: The Cover That Made Me Love Satire

Learn All About the Secrets of the Mall in Our Book Club Meeting with Alexandra Lange

The Yiddish Book Center is Bringing a Once-Forgotten Culture Back to Life

Monday Marginalian: The Science of Entropy and the Art of Alternative Endings

The Daily Heller: The Best Little Design Bookstore in New York

Early Bird Rate Ends Today!

Homes of Famous Artists: Anselm Kiefer

The Shape of Our Dignity: Running Away… But Not Far Enough

Staff Picks: What the PRINT Team is Loving This Week

Timothy Goodman on Honoring New York City With His Nike Design for Kevin Durant

Technology Meets Natural Food with Karen Frame of Makeena

The Daily Heller: RIP to the Last of the Truly Great Magazine Covers

This Cigarette Alternative Uses Classic Vintage Aesthetics to Help Smokers Quit

Why Nonprofit Branding is Different from Other Companies— and Why It Matters

Stuart Semple Releases a Color Diss Track Targeting Pantone’s 2023 Color of the Year

The Daily Heller: The Places and Faces of Italian Type
